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vibi

AI audio separation

Keep the video.
Erase just the noise.

Pick any clip and vibi separates the audio into voice, background, and per-speaker stems — so you can mute the wind, the passerby, or the wrong voice without ever touching the footage you can't reshoot.

VoiceBackgroundPer-speaker
Get it on iOSNotify me at Android launchGet the Premiere Pro panel

iOS & Android apps in store review — live now in Adobe Premiere Pro 26+

interview_03.mov

One clip. Mute just what bothers you.

Separate the whole clip into each speaker and the background, then pick a region and mute just the noise. The voices are never compressed — the footage you can't reshoot is preserved.

  • Voice 1

    Voice 1 — kept

  • Voice 2

    Voice 2 — kept

  • Background

    Background — muted

Two apps, one engine

Pick where you work.

The same separation, the same account, the same credits. Start on your phone where you shoot, finish in Premiere where you edit — your credits follow you across both.

vibi on iPhone — separating a clip into Speaker 1 and Background with per-range volume

vibi for iPhone & Android

In store review

The quick fix, where you shoot.

Pick a clip and the whole track separates. Split it into regions and mute, dim, or slow just the part that bothers you — done in under five minutes.

  • Whole-clip stem separation
  • Mute / dim / slow by region
  • Add BGM, or edit by chat
Get it on iOSNotify me at Android launch
Premiere Pro
vibi panel in Premiere Pro — stem separation with per-speaker mix controls

vibi for Premiere Pro

Premiere Pro 26+

The detailed cut, in your editor.

Read the timecoded, per-speaker transcript, reassign speakers, and regenerate the audio. Ride each stem with a dB fader, then mix a clean .wav back onto your timeline.

  • Per-speaker transcript editing
  • Reassign speakers, regenerate
  • Mix a .wav to your sequence
Get the Premiere Pro panel

Why vibi

Stop crushing the whole track. Erase just what bothers you.

Most editors treat sound as one block — kill the noise, kill the voice with it. vibi splits each clip into voice, background, and per-speaker stems so you can mute only the parts you don't want. Same engine on iPhone and in Premiere Pro.

Sound unitOther tools1 clip = 1 mixed trackvibi1 clip = voice / background / per-speaker
Noise removalOther toolsCrushes everything (voice too)vibiMute background only — voice intact
Cut one speakerOther toolsNot possiblevibiPick one of two in an interview
If audio is ruinedOther toolsRe-shoot or trash the clipvibiKeep the footage, erase just the audio
Where you workOther toolsLocked to one workflowvibiiPhone on location · Premiere Pro at the desk

Features

What you can do once it's split.

Region edits, BGM, captions, transcript-level control — every tool stands on the same voice / background / per-speaker separation.

Both apps

Whole-clip, per-speaker separation

Pick a clip and AI splits the entire track into voice, background, and per-speaker stems — the foundation everything else is built on, identical on iPhone and in Premiere Pro.

On iPhone

Adjust by region, on the go

Split the separated clip into regions and mute, dim, or slow just the part that bothers you. Layer in BGM or record from the mic, then export and share — done in under five minutes.

In Premiere Pro

Edit from the transcript

Work from a timecoded, per-speaker script: reassign speakers, fix who said what, regenerate the audio, ride each stem with a dB fader, then mix a clean .wav back onto your timeline.

How it works

Interview clip — one voice clean, the other gone.

The moment was too good to reshoot but a passerby ruined the audio. With vibi, salvaging it takes under five minutes.

Before — the old way

  1. 1Get back to the desk, open the laptop
  2. 2Move the clip to PC (5–15 min)
  3. 3Search “how to remove a voice from a video”
  4. 4Try app after app, tutorial after tutorial — still stuck
  5. 5Give up; re-shoot or trash the clip

After — vibi

  1. 1Pick the clip from your camera roll
  2. 2Separate the whole track — voice, background, per-speaker
  3. 3Drag the region where the passerby cut in
  4. 4Mute the speaker you don't want — yours stays
  5. 5Drop a BGM if needed → export → share

Workflow

What used to need a studio, now in two apps.

Whether you're on your phone on location or deep in Premiere at the desk — the moment doesn't get away.

01

Bring in the clip

The old way

Cable / iCloud / AirDrop · 5–15 min

vibi

From your gallery on iPhone, or the Project panel in Premiere

02

Erase a noise

The old way

EQ + multiband + manual cuts — and voice often dies with it

vibi

Separate, then mute the stem or region you don't want

03

Preview

The old way

Render, then play

vibi

Play instantly — on the timeline or in the panel

04

Publish

The old way

Export → send → upload

vibi

Share sheet on mobile, or a clean .wav back to your sequence

Two ways in. One clean cut.

Start on your phone where you shoot, finish in Premiere where you edit — your account and credits follow you across both.

Get it on iOSNotify me at Android launchGet the Premiere Pro panel

iOS & Android in store review · Premiere Pro 26+ · credits shared across both